nickdrake:

Patti Smith taking a nap with her first electric guitar a Fender Duo Sonic photo By Lynn Goldsmith 1976.

nickdrake:

Patti Smith taking a nap with her first electric guitar a Fender Duo Sonic photo By Lynn Goldsmith 1976.

"just when you think you’ve caught her, she glides across the water, she calls for you tonight, to share this moonlight"

"just when you think you’ve caught her, she glides across the water, she calls for you tonight, to share this moonlight"

jesuisperdu:

liz glynn
Modern Classical Column (After Ricahrd Deakins), 2008
[cast plaster; 10 x 11 x 11 inches; edition 2 of 2, 1 AP

jesuisperdu:

liz glynn

Modern Classical Column (After Ricahrd Deakins), 2008

[cast plaster; 10 x 11 x 11 inches; edition 2 of 2, 1 AP

All of which is to say: leaning against other texts, thinking with other minds, letting another person’s writing (or art, or being) haunt you, inhabit you, inspire you, bother you, quite thoroughly, isn’t just a means of spurring one to produce thoughts or books. It’s also a wager about how deeply intertwined our consciousnesses may be. It is to wonder (as Henry James did, in his late novels), whether consciousness exists between us, in the air, rather than within individual minds. The wild and productive gambit of “leaning against” is that we’re not really leaning against others, but against a great throbbing consciousness, a soup of soul and mind in which we all share, even if that sharing is characterized by dissensus or a mirage of separateness rather than a blurry unity.